Early last year we learned Bruno Dumont would next direct the science fiction feature The Empire, then said to mingle "the common life of the inhabitants of a ...
William Friedkin's passing was coupled with anticipation for The Caine Mutiny Court-Martial, a Venice-premiering and Showtime-bound adaptation of Herman Wouk's...
The list of directors who put their trust in Robby Müller could constitute a nice history of post-war cinema. (Some highlights: Wim Wenders, Peter Bogdanovich,...
One of the most beautiful, tender, and mysterious films of the year, Andrew Haigh's All of Us Strangers follows Andrew Scott as his character strikes up a rela...
In a rare feat, Kristoffer Borgli premiered his second U.S. release of the year after the jet-black Norwegian comedy Sick of Myself. Teaming him with Nico...
To celebrate the release of Mark Cousins' new documentary The Storms of Jeremy Thomas, a portrait of the Oscar-winning producer responsible for bringing to lif...
Unless Taylor Swift's concert film truly surprises, we imagine the trippiest film to arrive this year will be landing on the same release date of October 13. E...
Few titles from this year's Cannes were a bigger surprise than The Delinquents, a three-hour-plus Argentinian crime comedy with existentialist leanings. Word f...
Following his western sci-fi feature Asteroid City, we're getting a whole lot more Wes Anderson this year, specifically later this month on Netflix. His latest...
After years of rumors, confirmations, production, post-production, waiting for release news, a Cannes premiere, and two-week theatrical delay, we might abstain...
