Lauren Greenfield’s The Queen of Versailles was the perfect and perhaps too prescient portrait of a specific slice of the 1%, and now for her next documenta...
Joining the small but no less inventive subgenre of one-location thrillers, The Guilty provides a worthy refute to the idea that a bigger budget always corr...
We'll believe it's officially real when we're sitting in the theater taking it in, but the best proof yet that Terry Gilliam has actually finished his oft-c...
For the first time since 2004–when Pedro Almodóvar's Bad Education opened the festival–a film not in French or English will kick off Cannes Film Festival. I...
One of 2018's first notable debuts, Ava concerns a young girl's coming-of-age via rebellion -- a not-unfamiliar idea that writer-director Sadaf Foroughi mak...
Writer-director John Cameron Mitchell (Rabbit Hole, Shortbus) is back this year, teaming with author Neil Gaiman, and a cast featuring Elle Fanning, Alex Sh...
Premiering on last year's fall film festival circuit, Paul Schrader's dark, existential spiritual drama First Reformed is one of the director's best films–p...
Masaaki Yuasa, director of one the century's best animated films thus far, Mind Game (which recently enjoyed a theatrical re-release), is back this year wit...
As Jean-Luc Godard prepares for a potential Cannes debut of his new feature, a biopic on the French New Wave Icon (which premiered at the festival last year...
After teaming together for the Oscar-nominated Bullhead and The Drop, Matthias Schoenaerts and Michaël R. Roskam have reunited for another crime drama, this...
