Fall-festival season invariably crowds-out some of its finer offerings. For all the sturm und drang surrounding a studio's middling and formulaic awards hopefu...
Few recent films scratch an itch like MEGADOC. Whatever the cinematic value of Mike Figgis' documentary––and accounting for cheap-looking title cards with obvi...
Six years since The Dead Don't Die (long enough for that film to now be underrated), Jim Jarmusch is back with Father Mother Sister Brother, which finds him re...
It's our pleasure to spotlight a true indie production today. Shot on a shoestring budget of around $5,000 during a 10-day road trip to Deadhorse, Alaska, Jaco...
Six years since his last narrative feature Bacurau (we might call 2023's Pictures of Ghosts a notable interlude) Kleber Mendonça Filho made a splashy return wi...
After premiering her documentary feature GES-2 at the Venice Film Festival in 2021, Nastia Korkia returns to the festival this year with her narrative feature ...
Premiering at the Venice Film Festival last fall, where it picked up a few awards, Elizabeth Lo's documentary Mistress Dispeller captures the unique profession...
One of the most rewarding filmography watches I completed was all thirteen features from the legendary Robert Bresson. Now, one of his finest works (as well as...
After her Marvel detour, Oscar-winning director Chloé Zhao returns to more dramatically compelling fare with a project centered on the most famous dramatist of...
