Following something as successful as Midnight in Paris -- which became both a Best Picture nominee as well as the highest-grossing picture of Woody Allen’s care...
Man is a creature. In our rush to congratulate ourselves on a mastery of our world through various technological achievements, we seem to forget this -- every d...
If there's nothing particularly flooring about the narrative of Glendyn Ivin’s Last Ride - based on a Mac Gudgeon screenplay, which itself was taken from Denise...
Who's crueler: a vicious Mexican cartel who decapitate men to send a message, or a couple of Laguna boys trying -- and willing to do whatever it takes -- to pro...
As a Malaysian of Chinese descent, the controversial hip-hop artist Wee Meng Chee, AKA Namewee uses his music to comment on the rift between the native and ...
Sometimes foreign language films simply exist across an insurmountable cultural divide that renders them indecipherable here. Hitoshi Matsumoto's Saya-zamurai ...
In the omnibus Korean film Doomsday Book, two different filmmakers tackle 2012's running theme (the apocalypse) with three different short films that are es...
Set against President Tae-woo Roh's 1990 crackdown on organized crime in South Korea, Bumchoiwaui junjaeng places us into the wild life of a former Busan custo...
In Peter Chan's action packed epic Wu Xia (or Swordsmen), the successful Chinese director takes the classic wu xia genre of films made popular by the Shaw B...
A character-driven drama is not something many would assume to place in writer Alex Kurtzman's wheelhouse. Kurtzman and his writing partner, Roberto Orci, usual...
