There’s a bargain underlying the whole of Atomic Blonde, wherein director David Leitch wavers between its more cheeky qualities and its adherence to the convent...
An ex-junkie, ex-convict, and luchador enter a fish taco shack … the punch line is a three-pronged adventure through Compton while engulfed by the shadow of a l...
Don't mess with a Nepali "cantara" on New Year's—especially if you're a virgin. Had young Nico (Javier Bódalo) only been warned, he might have avoided the worst...
Steven Soderbergh is back, baby -- assuming you put less-than-a-film's worth of stock into two ten-hour seasons of television, a premium-cable something-or-othe...
I like when a director knows what he/she wants from his/her film — even if the goal is to entertain on a level that ensures its legacy falls short of cinematic ...
If Karen Skloss' feature narrative debut The Honor Farm possesses anything it's an abundance of style. This is a gorgeously shot prom night turned mushroom trip...
Kékszakállú starts off with a disadvantage: it adamantly recreates a sort of purgatory, first in privileged youth malaise and summer daze, then, more interestin...
For way too long now, the concept of #girlpower in comedies has been dominated by white female narratives in which women of color are an afterthought, either pl...
Are there rules on how to make a space epic? If there are, Luc Besson has certainly never heard them because in Valerian and the City of a Thousand Planets, he ...
