Jennifer Kent’s The Nightingale features some of the most atrocious on-screen violence in recent memory. It is a cauldron of blood, murders, and rapes so unflin...
Veteran filmmaker Frederick Wiseman adds a quaint but important little chapter to his great oeuvre with Monrovia, Indiana. It's 143 minutes long, which is about...
"Let's see what's behind this." That's the very first line we hear in Sunset, László Nemes' masterful follow-up to his 2015 breakout Son of Saul, a daring debut...
Anyone transfixed by the hyper-stylized meathead triumph of blood and violence of Brawl in Cell 99 should be warned. Dragged Across Concrete, S. Craig Zahler’s ...
When Vincent Van Gogh stares at the flat southern France landscape in Julian Schnabel’s contemplative At Eternity’s Gate, what does he see? Cemeteries of dead s...
With all the toing and froing over Netflix and Lars von Trier in the lead up to this year’s Cannes Film Festival, Thierry Fremaux's remarkable decision to rejec...
When making a documentary chronicling the life and work of an iconic artist it is necessary and downright vital to interrogate why their art struck a chord in t...
There comes a telling moment near the beginning of The Mountain when Jeff Goldblum's doctor turns to his newfound apprentice to explain the workings of a camera...
A mainstay in French for almost 40 years, Jacques Audiard frequently chronicles criminals and convicts (or ex-criminals/ex-convicts) trying to either navigate a...
The question that Hermann Vaske has asked for over two decades is a large one. Why Are We Creative? There's no blanket answer — no right or wrong notion of the ...
