Throughout his career as a director, Terry Gilliam has aimed to portray the outlandish and disorderly in imaginative, transportive ways. His greatest achievemen...
There's something somewhat hypocritical in remaking a horror yarn about the perils of not leaving something well enough alone. Much like Jason Clarke's Louis Cr...
The years between Laika releases–in which our eyes are exposed to hours of unimaginative, cookie-cutter Hollywood animation–always seems to be just enough time ...
A suicide. A stillborn baby. A woman holding the latter as she leaves the former to show her husband and the now widower father the results of the harrowing nig...
It's the same tragic story. Another unarmed Black man is killed by the police. Another White man takes an arsenal into a school, campus, or place of worship bef...
The onslaught of "live action" Disney adaptations of their animated films is a confounding one in many ways. They seem to be committed to remaking only their mo...
Representing the rhythms of everyday life is, generally speaking, a particular concern of films situated outside the mainstream. Relatively free from the strict...
Two travelers—Ocho, an aspiring poet from New York, and Javi, a Spanish director from Germany—spend a single day together in Barcelona in the opening act of Luc...
Something is causing the ground to shift underneath a new Chinese suburb in writer-director Qiu Sheng’s intriguing, adept debut feature. High-rise towers are li...
There is no question that white people are and have historically been capable of racism. The value of Angelo resides in its ability to convey those prejudices t...
