In Martin Edralin’s directorial debut Islands, the life of a shy, middle-aged Filipino man living in Canada gets a new meaning. What was once monotonous and lo...
There may not be any eventuality in the Multiverse where Eternals works. It feels like deep-cut source material not mined for adaptation out of desire, but a n...
More often than not, one-take films struggle to justify their gimmick. Whether shot in one go or utilizing an intensive editing process to appear like so, the ...
One thing is certain about The Spine of Night: this is a labor of bone-shattered, triptacular love. The new rotoscope-animated feature—a clearly adoring h...
Bobcat Goldthwait has made a career of dissecting what makes tragedy funny. It's an impressive second act for the comedian, who was once known primarily for th...
There's a moment towards the end of Stanley Nelson and Traci Curry's documentary Attica where a white state trooper is seen putting his fist in the air while s...
“It’s war. You’re going to see the wounds of war.”
This grave warning comes from a gun-safety-training officer who, with a team of others, is in the busines...
Biographical pictures and historical dramas can often go the way of cinematic hagiography, particularly when the subjects are involved in the project's develop...
Scott Cooper is comfortable in the mud. The American director routinely finds himself in the confines of the lowdown and dirty, in gritty landscapes with worki...
I'm not entirely sure what the message is at the center of Lindsay Gossling's 13 Minutes. In fact, I'm pretty sure there isn't one. A line of text runs before ...
