I'm not saying you couldn't want to pivot careers from photo-compositor to writer, but to make it seem like a) the former is just a matter of loosely using the...
The Huang family and Pili International Multimedia are back on the big screen, two decades since their feature debut Legend of the Sacred Stone, and if the end...
There's some delicate subject matter at the heart of Hannah Barlow and Kane Senes' Sissy. It's unavoidable when you're spring-boarding from an objectively trag...
Amidst all the high-concept computer-programming speak and moral / ethical implications surrounding the creation of artificial life, the smartest line of dialo...
This is not a happy family. Dad (Tae-hoon Lee) works a night security guard shift that makes it so he arrives home as Mom (Min-Kyung Kim) leaves to dry peppers...
The universe has a favor to ask. Well, it's the universe's would-be destroyer asking on its behalf. After an eternity hidden in the ether watching the life tha...
Netflix’s dreary $200 million franchise hopeful The Gray Man deserves at least one compliment: it begins with relative finesse. Recruited out of prison as a ta...
What drops of cinema are still to be wrung from boxing? The new Japanese drama Small, Slow But Steady is about as calm and modest as its title suggests, but th...
Taking a more natural interpretation of D. W. Griffith’s phrase by way of Jean-Luc Godard—"All you need to make a movie is a girl and a gun”—Caroline Vignal’s ...
People died, businesses closed, and health and science became politicized to a point of no return. But what about the good that COVID accomplished? What about ...
