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    • Watch: Brady Corbet Directs Robert Pattinson in 1664 Commercial, Shot by Lol Crawley

    • Exclusive New Stills From Carla Simón’s Romería as Janus Films Sets June Release

    • MoMI Unveils First Look 2026 Lineup

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    • The Last One for the Road Trailer: Take an Inebriated Trip Through Italy

    • Blue Film Trailer: Controversial Camboy Thriller Arrives This May

    • First Teaser for Ryûsuke Hamaguchi’s All of a Sudden Starring Virginie Efira and Tao Okamoto

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    • The Drama Review: Kristoffer Borgli’s Provocations Mask Greater Ignorance

    • The Stranger Review: François Ozon Finally Gives Albert Camus’ Novel Its Cinematic Due

    • The Blue Trail Review: A Lively Journey Down the Amazon River

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    • Posterized April 2026: Blue Heron, The Christophers, Exit 8 & More

    • NYC Weekend Watch: Tsai Ming-liang, Ken Jacobs, Gender Transgression & More

    • New to Streaming: My Undesirable Friends, Pillion, Avatar: Fire and Ash, Wuthering Heights & More

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    • François Ozon on the Existentialism of The Stranger, Arab Representation, and Bressonian Acting

    • The Blue Trail Director Gabriel Mascaro on Coming-of-Age Inversion, Playful Dystopias, and Conservative Awakenings

    • Sinking into the Abyss: Nadav Lapid on Yes, the Collapse of Morality, and Beauty in Dance

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    • Dolphins and Drugs: Michael Almereyda and Courtney Stephens on Capturing the Work of John Lilly

    • The B-Sides of Spike Lee

    • Gabe Klinger on Finishing Movies, Navigating Festivals, and Isabel

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News

The Criterion Collection’s September Lineup Features High and Low, Wes Anderson, and Spinal Tap on 4K

Pedro Almodóvar Begins Shooting Bitter Christmas for 2026 Release

Peter Deming Shares New Details of David Lynch’s Unrecorded Night

Watch: Mike Mills Directs Saoirse Ronan in Talking Heads’ First Music Video for Psycho Killer

Fantasia Film Festival 2025 Lineup Features Ari Aster, Takashi Miike, Together, Lurker & More

Japan Cuts’ 2025 Lineup Features Kiyoshi Kurosawa, Teki Cometh & More

Clint Eastwood Intends to Direct a New Feature: “There’s No Reason Why a Man Can’t Get Better with Age”

Jafar Panahi’s It Was Just an Accident Wins Palme d’Or; See Full List of Cannes 2025 Winners

MUBI’s June 2025 Lineup Includes Twin Peaks, Việt and Nam, Gregg Araki & More

Lee Chang-dong Plans Fall Shoot for Next Film Possible Love

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The Last One for the Road Trailer: Take an Inebriated Trip Through Italy

Posterized April 2026: Blue Heron, The Christophers, Exit 8 & More

Dolphins and Drugs: Michael Almereyda and Courtney Stephens on Capturing the Work of John Lilly

NYC Weekend Watch: Tsai Ming-liang, Ken Jacobs, Gender Transgression & More

New to Streaming: My Undesirable Friends, Pillion, Avatar: Fire and Ash, Wuthering Heights & More

François Ozon on the Existentialism of The Stranger, Arab Representation, and Bressonian Acting

Blue Film Trailer: Controversial Camboy Thriller Arrives This May

Watch: Brady Corbet Directs Robert Pattinson in 1664 Commercial, Shot by Lol Crawley

The Drama Review: Kristoffer Borgli’s Provocations Mask Greater Ignorance

15 Films to See in April

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