Reflecting on Francis Ford Coppola’s Megalopolis a year later, after all the memes, hyperbolic hitpieces, and even some admiring reviews, it’s likely public op...
Sunfish (& Other Stories on Green Lake) is the kind of small film you hope to discover at a festival. Written and directed by Sierra Falconer in her featur...
In the ever-intensifying dance between seen and being seen, where surveillance has become both a threat and an intimate gesture, Singaporean filmmaker Yeo Siew...
One of the most rewarding things about falling in love with a film is then falling in love with all of the things that inspired its creation. What are the book...
Note: This interview was originally published as part of our 2024 NYFF coverage. My Undesirable Friends: Part I – The Last Air in Moscow opens in theaters on A...
Whether it's a tough marketplace, debuting at a crowded festival, or the fairly established fact that most people don't want to see films pertaining to COVID (...
Welcome to The B-Side! Here we talk about movie stars, movie directors, and sometimes––sometimes––movie writers! Today, we speak with author and screenwriter J...
Few people have contributed more to cinema and cinephilia in the last 50 years than Dave Kehr. He’d have some claim to this title solely as a major critical vo...
Welcome to The B-Side! Here we talk about movie stars, movie directors, and sometimes - sometimes - the companies that made the movies those stars and director...
You'd have to be very bad at interviews, or really just conversations, to not get something from Abel Ferrara, who's the perfect combination of endearing and p...
