It might be too on-the-nose to call Saved! a minor miracle of a movie, but how else would you describe Brian Dannelly’s faith-centric satire? Since it was rele...
When it was announced Arnaud Desplechin's next feature Spectateurs! (titled the less-appealing Filmlovers! in English) would be a) a docu-fiction hybrid; b) ab...
Oh, to be one of the chosen. I guarantee this thought washes over every single person attending the Cannes Film Festival, at least at some point. It is a reali...
What kind of things does an obsessive documentarian like to watch in their free time? It's a question I was curious to ask John Wilson, a filmmaker who––over t...
In 1963 Paul Newman went to the Venice Film Festival for the Italian premiere of Martin Ritt’s Hud, a few months following its U.S. release, and sat down with ...
Rarely has a star been less visible than Jordi Mollà in Aggro Dr1ft. You could surmise this only knowing the film by random screenshots invariably featuring th...
Safe to say Drive My Car's success wouldn't have reached its historic heights sans Eiko Ishibashi, whose musical contributions acted as both complement and cou...
Full disclosure: I’ve been looking forward to this interview ever since I read the novel Ash Wednesday as a teenager. Ethan Hawke, co-writer and director of Wi...
It's been a few months since I saw Jane Schoenbrun's I Saw the TV Glow at Sundance Film Festival and I haven't been able to shake its overwhelming, ultimately ...
On a bright summer day in a tent on top of the sultry clay courts that give the Tennis Club Venezia its name, writer-director Ryûsuke Hamaguchi––known for his ...
