We’ve lamented the qualitative drop of Chinese cinema around this time last year, as Hu Guan’s glossy generational drama Mr. Six closed the Venice Film Festival...
Premiering in the Venice Days section ahead of its 2017 Australian release, director Ben Young’s feature debut is the kind of film you wish you could un-see – e...
Eyebrows were raised when it was announced that South Korea will submit the as-yet-unreleased espionage thriller The Age of Shadows for Oscar consideration inst...
One can accuse François Ozon of many things, but lack of ideas isn’t one of them. The prolific French auteur is a constant presence at A-list film festivals sin...
Since the early aughts, South Korea has been one of the most prolific and exciting exporters of genre cinema, giving us such indelible gems as Oldboy, The Host,...
It’s been seven years since Maren Ade's second feature Everyone Else premiered at the Berlinale, taking home the Jury Prize, and we've been waiting for her ...
Premiering in the Un Certain Regard section of this year’s Cannes Film Festival, The Dancer is an impassioned if formally conservative portrait of Loïe Fuller (...
Part coming-of-age story, part familial drama, part psychological thriller and even carrying with it a whiff or two of supernatural horror, Canadian director Ph...
