With Things to Come, the great Mia Hansen-Løve is earning some of her best reviews in years, and, along with Paul Verhoeven's Elle, it represents a banner y...
Most will begin talking about Toni Erdmann by noting that it is indeed very funny -- not in some "obscure, European" way, but with plenty of lowbrow jokes a...
While there are certain limits to which No Direction Home: Bob Dylan is "a Martin Scorsese film," given the lack of input he had with creating of the materi...
See enough by any director and you'll start thinking you've got a grip on the enterprise. See everything they've directed -- "everything" here constitutes 17 fe...
It'll be hard for me to read, hear, type, or say the title of Pablo Larraín's new film without hearing '60s-era Scott Walker and a charging backing band, bu...
Criterion's been on a bit of a Krzysztof Kieślowski tear as of late, having just given his towering Dekalog a Blu-ray release. One doesn't need much of an e...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Few fall films, foreign or otherwise, are as likely to generate conversation as Park Chan-wook's The Handmaiden, a sprawling and seductive story of deceit, ...
Excepting, say, Toni Erdmann, no 2016 premiere has earned quite the wave of acclaim bestowed upon Jim Jarmusch's Paterson, which we called "a fresh new mast...
Henry: Portrait of a Serial Killer's nature has long prevented the mainstream exposure some horror films of its era (e.g. The Evil Dead) were able to attain...
