Perhaps I just live in a bubble, assuming that everyone's exhaustion with the Gallagher brothers had, among some other things -- e.g. the sense that nostalg...
By all accounts, Kim Ki-duk took it a bit easier with his newest drama, The Net. There is no swallowing of fish hooks, skinning of frogs, or plunging of han...
Let's start with this bit of good news: Paul Schrader's Dog Eat Dog will begin its U.S. release on November 4, courtesy of RLJ Entertainment. Although our r...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Because Endless Poetry, Alejandro Jodorowsky's follow-up to 2013's The Dance of Reality, is still awaiting a release in the U.S., this French trailer might ...
If the Marvel Cinematic Universe can best be defined by a uniformity of style, its biggest handicap is thus a lack of diversity. Case in point: right now, t...
If the reception to Ewan McGregor's American Pastoral has shown us anything, it's this: those who adapt one of the great living authors would be best-advise...
It'll be some time before we get a follow-up to Gareth Edwards' 2014 Godzilla, but those seeking the legendary kaiju will soon have a fresh and, if you ask ...
Kiyoshi Kurosawa has ways of making it look easy, even unimpressive. To my knowledge, he has never made a film that’s less than a pleasure to simply observe, ri...
Here's an elevator pitch: Nocturama is Robert Bresson’s The Devil, Probably in a homegrown-terrorist garb that substitutes transcendental style for the form of ...
