While effectively every Hong Sangsoo film nabs nice responses from those who seek it out, By the Stream has carried a tad more weight––the sense that, after a ...
Note: This interview was originally published as part of our 2024 Beyond Fest coverage. Cloud opens in theaters on July 18.
Every year is a good year to adm...
My screening series Amnesiascope will return to the Brooklyn Center for Theatre Research on July 22, 24, and 25 with Éric Rohmer’s A Tale of Summer, ...
To paraphrase Kent Jones on John Carpenter: America doesn’t have so many great directors to spare that it can afford to let Hal Hartley fall through the cracks...
True to the Halloween spirit, the Criterion Collection's October lineup is fright-filled (and 4K-heavy to boot). Twin Peaks: Fire Walk with Me is getting a maj...
Raise the subject of documentaries about filmmaking and you'll probably first go to Hearts of Darkness: A Filmmaker's Apocalypse. Or the film you’re thinking a...
NYC Weekend Watch is our weekly round-up of repertory offerings.
IFC CenterIn the Mood for Love / In the Mood for Love 2001 continue; Dogtooth plays daily; ...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln CenterInherent Vice begins playing on 70mm; In the Mood for Love and i...
Perhaps no line of dialogue better encapsulates lived experience than this bon mot offered by John Huston’s Noah Cross: “Of course I'm respectable. I'm old! Po...
What a pleasure it is to see Kiyoshi Kurosawa in his Hong Sangsoo period. The typically prolific filmmaker had an especially verdant 2024: his all-killer, no-f...
