Some apotheosis of film culture has been reached with Freddy Got Fingered's addition to the Criterion Channel. Three years after we interviewed Tom Green about...
Caleb Landry Jones hasn't been quite so present onscreen since the heyday-of-sorts that was Get Out, Twin Peaks, Three Billboards, and The Florida Project in o...
Probably you've noticed our enthusiasm over Bertrand Bonello's The Beast, a major evolution in genre and ambition for one of the world's greatest filmmakers. T...
A yearly highlight of New York (or American) programming, the Museum of the Moving Image's First Look will return on March 13 with an opening-night screening o...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film Forum“SAPPH-O-RAMA” highlights lesbian cinema with films by Chantal Akerman, ...
Ask and you shall receive. A couple weeks ago I had some flash of memory about Crackpot, the new Elaine May feature––her first since Ishtar, released during Ro...
So's begun the march to 2024's first major film. Just a week since Janus and Sideshow announced Bertrand Bonello's The Beast will begin its U.S. run on April 5...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Museum of Modern ArtA massive run of Luis Buñuel's Mexican films begins; “To Save and Proje...
Mostly it's all in the headline, as we've yet to get much in the way of truly solid info on Quentin Tarantino's 10th and final feature, The Movie Critic, since...
Somewhere between "Wall of Eyes" and starting production on a $100 million, Leonardo DiCaprio-starring feature, Paul Thomas Anderson directed another video for...