MoMA's Bulle Ogier retrospective was occasion upon occasion for discovery, and even then it was great fortune to encounter Candy Mountain, a 1987 road picture ...
I've heard from more than one reliable source that Brian De Palma was done directing. It's believable enough without any inside info: the five years since his,...
One week before Megalopolis would seem the most impossible time to consider another Francis Ford Coppola movie, but perhaps that is the exact dividing line bet...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy CinemaOlivier Assayas' Demonlover plays on 35mm Friday and Sunday; Frederick Wiseman's...
Let this be an object lesson for those fearing it's to late to pursue their dreams: at the age of 50, Shu Qi––who, granted, is the iconic star of films by Hou ...
Rarely am I devoting column space (whatever that means in virtual realms) to individual home-video releases––at least if they're not likely to receive a comple...
In the blink of an eye, Criterion's 2024 is done. Though there's still a cornucopia of discs awaiting arrival, we have a stem-stern view of this year's line-up...
NYC Weekend Watch is our weekly round-up of repertory offerings.
BAMA Different Man director Aaron Schimberg has assembled an all-35mm retrospective of film...
When I started my blindfold series Amnesiascope I knew there'd come time to show a Maggie Cheung film. Probably this doesn't require much explanation: movie st...
It's been long enough since Sparks revealed their Annette follow-up X Crucior that you're forgiven for thinking it might've been shelved. I talked to them abou...
