Although those who felt Boyhood was a bit too insular in how (or simply because) it focused on a straight, white American male from a middle-class suburban ...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Having done my part in arguing for Jaume Collet-Serra's Non-Stop as a tight, terrific piece of filmmaking (mere "thriller" or not), it only makes sense that...
Because, in the pressure to scramble together something before 2014 is a distant memory, I can think of hardly anything that defines this year to some signifi...
Following its just-announced placement in this year's Berlinale, Terrence Malick's Knight of Cups has been unveiled in a first, extensive trailer. To say th...
Although, for some of us, it feels like Inherent Vice came out some time ago -- blame the NYFF screening in early October and deluge of coverage that's pile...
Criterion have once again launched a bi-annual sale at their finest brick-and-mortar outlet, Barnes & Noble, and we thus thought it’d be a good idea to bring you ten favorite titles in their vast, ever-growing collection....
What a fine few weeks for those who love Orson Welles. Following a notice that his long-incomplete final film is being put in the right hands for completion...
"You could be another buyer and look at Manakamana and be like, 'No one’s going to go see this.' Or you could be like Cinema Guild and say, 'No, this is special.'"...
One would be hard-pressed to argue for Jean-Luc Godard’s Goodbye to Language as obscure or below-the-radar. Following a recent premiere at Cannes, where the...
