It's hardly uncommon for New Hollywood figureheads to support (often in the executive producer position) a project by young, up-and-coming filmmakers that r...
John Woo's first film(s) in several years, The Crossing, failed to make much of any impact when either part hit China between December of last year and this...
There’s the temptation to throw out a big, (somewhat) cheeky comparison and say we’re looking at the most existentially heavy and historically dense film about ...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list....
Carol! Carol! The people, they cannot get enough of Carol, which makes the eve of its release a perfect time to share some Todd Haynes-related material. (No...
Burying the Ex wasn't exactly -- or, well, remotely -- the comeback machine some of us hoped to see Joe Dante produce, so consider us fortunate that it hasn...
While the attention paid to The Summer of Sangaile, Lithuania's Oscar entry, hasn't been significant -- this is, let's say, "not uncommon" for Lithuania's O...
Bless those fan sites bringing us intimate coverage of James Gray's next film. Robert Pattinson Australia have translated an extensive piece recently run in...
It should surprise precisely nobody that Jean-Pierre and Luc Dardenne made a single list for Sight & Sound, and it doesn't strike me as odd that they acte...
How many film collaborators are as closely tied as John Williams and Steven Spielberg? They'd be a benchmark in the director-composer relationship if it wer...
