Museum of the Moving Image
"The Essential John Ford" continues with My Darling Clementine (more on that here), How Green Was My Valley, and others.
A ...
Whether you consider her a tenet of the form or regularly burn copies of I Lost it at the Movies, no one with a serious interest in film criticism would try...
It wasn't so long ago, really, when Duncan Jones was a filmmaker people were intently training their eyes on. But since 2009's excellent Sam Rockwell vehicl...
Although exemplary writing and acting duties on the Before series have earned Julie Delpy extra-special commendation as a creative voice, her work as writer...
Those wanting a better look at Terence Davies should consider his Sight & Sound list of ten favorite films. This, more than any other collection, has the ai...
After Paris Belongs to Us and The Nun, still some years away from becoming one of the world's supreme filmmakers, Jacques Rivette crafted a trilogy of documenta...
This is brief -- and I'm not even going to click play, what with my desire to avoid as much as I can before seeing the whole thing -- but it's not every day...
I have little doubt that Claire Denis is one of our greatest living filmmakers, but communicating this to the uninitiated when many of her films aren't read...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list....
The wait for Todd Haynes' Carol will be tough; even those in a market where the film immediately opens still have a five-and-a-half-month wait to endure. Bu...
