A three-hankie weepie that harks back in its melodramatic rhythms and constantly moves forward (or so it at least thinks) with its use of digital 3D, Every Thin...
Ideally, big-screen takes on massively successful musicals will do two things. First, and most obviously, is capturing the pleasures of an original work, making...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
After leaving a big impression in both volumes of Lars von Trier's Nymphomaniac, we were hoping to soon see more from up-and-comer Stacy Martin. Before Brad...
Having broken through with one of the year's finest debuts, Ex Machina helmer Alex Garland is quickly working toward a second feature -- one that, unsurpris...
Seven-and-a-half years after debuting at the 2008 Cannes Film Festival -- where it played alongside Che, Changeling, Hunger, Synecdoche, Waltz with Bashir, ...
If the impetus behind many feature debuts -- great and terrible alike -- is to proclaim a helmer’s talents for all who might bother listening, Theeb's greatest ...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Bradford Young's résumé is short, which is all the more reason to admire his work as a cinematographer and await whatever comes next. (The American Society ...
