Silly as it is to imagine his films getting into a mainstream field, Jem Cohen nevertheless had something of a breakthrough with his last feature, Museum Ho...
Regardless of the closing tag promising a May 2014 showing, Jellyfish Eyes, the first feature from Japanese artist Takashi Murakami, is entering a limited r...
After people waited hours in the hot San Diego sun to see footage from Batman v. Superman: Dawn of Justice, Warner Bros. have released the preview in full H...
Of all the work we saw last year, few were received as rapturously as Pedro Costa's Horse Money, which we called "the Costa film that best exemplifies the i...
Museum of the Moving Image
"The Essential John Ford" continues with My Darling Clementine (more on that here), How Green Was My Valley, and others.
A ...
Whether you consider her a tenet of the form or regularly burn copies of I Lost it at the Movies, no one with a serious interest in film criticism would try...
It wasn't so long ago, really, when Duncan Jones was a filmmaker people were intently training their eyes on. But since 2009's excellent Sam Rockwell vehicl...
Although exemplary writing and acting duties on the Before series have earned Julie Delpy extra-special commendation as a creative voice, her work as writer...
Those wanting a better look at Terence Davies should consider his Sight & Sound list of ten favorite films. This, more than any other collection, has the ai...
After Paris Belongs to Us and The Nun, still some years away from becoming one of the world's supreme filmmakers, Jacques Rivette crafted a trilogy of documenta...
