The secret's out: yes, Michael Moore has a new film (his first since 2009's Capitalism: A Love Story), and it is -- what else! -- a document of things Ameri...
With it having been about five years since Aki Kaurismäki's last picture -- the great and greater-than-you-remember Le Havre -- we've been hoping to hear so...
Since any New York cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory...
When praising 12 Angry Men, people most often point toward three things: the preciseness of Sidney Lumet's direction; Reginald Rose's fat-free plotting and ...
The English language makes very few appearances in Bertrand Bonello’s On War, and it's to the film's credit that their possible connections and distribution fee...
Two months after seeing it at the New York Film Festival, I haven't budged much in my conviction that László Nemes' Son of Saul -- as praised as any debut f...
With the Blu-ray long out-of-print, it's high time that Jean-Luc Godard's early-career masterwork Pierrot le Fou again be seen in its full glory. (That we e...
