It is the little-stated, undeniable truth that critics are surrounded by nearly innumerable factors when experiencing the work they've been assigned to review. ...
Mysterious, best left alone, of an ominous origin, and seemingly ready to burst at any moment -- let's just get this out of the way and say that, yes, Werne...
After serving as an official selection of the Tribeca Film Festival and being screened in Berlinale's Special section earlier this year, Sonia Kennebeck’s acc...
Following writing-not-directing trend set by Gambit, Unbroken, Bridge of Spies, and George Clooney's upcoming Suburbicon, Joel and Ethan Coen have signed wi...
Quentin Tarantino's brand of fetishism -- the non-foot kind, I mean -- is, in some part, an exploration of the cinema on a genre-by-genre basis, and so his ...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Ken Loach has spent the last half-century crafting iconic films with a push for social issues. This year he became only the 9th director to earn a second Pa...
Dailies is a round-up of essential film writing, news bits, videos, and other highlights from across the Internet. If you'd like to submit a piece for consi...
Unless you live in New York City and have some cash to spend or a P&I pass to wave, the New York Film Festival can feel a bit distant. But the Film Soci...
There's been cause for concern with Rogue One: A Star Wars Story. While at least some form of by-committee filmmaking is expected of, oh, every blockbuster,...
