If there’s one thing The Man Who Killed Hitler and Then The Bigfoot does right– aside from kill Hitler, of course–it is putting the fate of humankind in the han...
It may be helpful to contextualize Buffalo Boys through the lens of colonization. This Indonesian riff on the Spaghetti Western is given cultural specificity th...
Mowgli: Legend of the Jungle is a strange beast. It’s a dark re-imagining of the world from The Jungle Book, familiar to anyone that saw Jon Favreau's 2016 rebo...
At the heart of war is horror. Vicious, random horror. The war film often toys with darker genre elements to create this affect, including the use of tension, s...
Many know the tale of William Wallace, the Scottish knight who was a prominent leader in the First War of Scottish Independence, as portrayed by Mel Gibson in a...
Writer-director Jim Hosking seems determined to entertain–and divide. From a segment in The ABCs of Death 2 to his feature debut The Greasy Strangler, it was ma...
When considering writer-director Timo Tjahjanto’s new film, it will be difficult to omit two words: The Raid. Similarities between the two certainly have their ...
Coming off of the success of The Raid: Redemption and its sequel, The Raid 2, the anticipated path for Welsh director Gareth Evans may not have been a horror fi...
Mike Mazzanti is a content project manager at a digital marketing firm by day and a screenwriter at heart. A lover of the outré and the everyday, he is the Resident Genre Enthusiast at The Film Stage and is currently based out of Washington, D.C.
