Face The Truth: Eiko Ishibashi on the Music of Drive My Car
Ryusuke Hamaguchi, the Japanese writer-director behind 2021’s epic drama Drive My Car, is something of a renegade: his breakout feature, 2015’s Happy Hour, abo...
Matthew Danger Lippman
Sincerity & Spite: A Conversation with the Directors & Star of Hannah Ha Ha
Directors Jordan Tetewsky and Joshua Pikovsky are two of the hardest-working young artists in the U.S. Each of their three short films from 2021––the Jewish an...
Caleb Landry Jones Talks Christian Rock, ‘80s Music, Eggo Waffles & His New Album
When Caleb Landry Jones, the actor known for turned-to-ten roles in films like Get Out, Heaven Knows What, and Twin Peaks: The Return, announced a solo album (...
Tom Green Reflects on 20 Years of Freddy Got Fingered
20 years ago, Tom Green directed his first film. Now he’s living in a van.
Picture this: A disturbed young man, prone to zoophilic outbursts, returns to his...
PVT Chat Director Ben Hozie on a Raw Approach to Filming Sex, Male Nudity as Art, and the Poetry of Masturbation
I first heard about PVT Chat during its long post-production period in 2019. The film struck me as too good to be true: an erotic drama, directed by Ben Hozie ...
Caleb Landry Jones Makes His Album Debut With the Baroque Anti-Pop Freakout The Mother Stone
Sometime during the mid-2000s, in a Buffalo, New York Circuit City, I came across a dog-eared book of music-industry advice from the 1980s. I didn’t buy it, an...
Matthew Danger Lippman
Matthew Danger Lippman is a musician and writer living in Brooklyn. He is obsessively active on Bandcamp and Letterboxd.