From the old school ‘50s-era opening titles, you can feel what tone Charlie McDowell’s Windfall is going for. The director’s third feature plays up the Hitchco...
The tale of Deep Water’s production and release could have easily overshadowed the film itself. Marking the return of Adrian Lyne (Fatal Attraction, 9 ½ Weeks)...
The Adam Project, the latest big-budget Netflix release you likely haven’t heard of until now, opens with a bit of text explaining that “Time travel exists. Yo...
Many artists strive to find meaning in their work, but for kogonada it’s the pursuit that provides the meaning. In a way, if he were to “find it” that wouldn’t...
Few actors in cinema right now are as distinctive and exhilarating as Franz Rogowski. Among a sea of bland leading men he has a presence wholly his own, making...
Jean-Pierre Jeunet put his stamp across the 1990s and 2000s with a unique blend of zany personality, thoughtful character portraits, and sharp, multi-dimension...
New neighbors can be a source of great anxiety. Maybe they’ll be extremely kind and friendly, coming over to introduce themselves and strike up a friendship th...
The “star is born” performance is spoken of often but only truly comes around once in a blue moon. It’s not something you can predict, but when it happens you ...
Despite coming from one of international cinema’s foremost working filmmakers, Hirokazu Kore-eda’s 2009 film Air Doll had never seen a release in the U.S. Adap...
Alice, the debut feature of writer-director Krystin Ver Linden, has a major pacing problem. Based on true accounts, it concerns Alice (Keke Palmer), a woman en...
Mitchell Beaupre is the Managing Editor at Letterboxd, and currently based out of Newark, Delaware. For every new movie they watch, they're adding five more to their neverending Letterboxd watchlist.
