There are few actors working today with the level of emotional intuitiveness of Vicky Krieps. Whenever she emerges onto a screen you innately feel exactly the ...
If Carl Franklin may not have many films in his oeuvre, what’s present has certainly made its mark. His 1992 neo-noir One False Move was originally set by the ...
Peter Strickland wants to break taboos. The man behind films about giallo sound technicians (Berberian Sound Studio), BDSM-practicing lepidopterists (The Duke ...
The seasons have changed––spring is here, summer is on the way, and no film out right now better exudes the aura of love in the sunshine than Charline Bourgeoi...
After being lost in the tendrils of rights issues for many years, Mira Nair’s 1991 masterpiece Mississippi Masala is finally being brought back to audiences wi...
From the old school ‘50s-era opening titles, you can feel what tone Charlie McDowell’s Windfall is going for. The director’s third feature plays up the Hitchco...
The tale of Deep Water’s production and release could have easily overshadowed the film itself. Marking the return of Adrian Lyne (Fatal Attraction, 9 ½ Weeks)...
The Adam Project, the latest big-budget Netflix release you likely haven’t heard of until now, opens with a bit of text explaining that “Time travel exists. Yo...
Many artists strive to find meaning in their work, but for kogonada it’s the pursuit that provides the meaning. In a way, if he were to “find it” that wouldn’t...
Few actors in cinema right now are as distinctive and exhilarating as Franz Rogowski. Among a sea of bland leading men he has a presence wholly his own, making...
Mitchell Beaupre is the Senior Editor at Letterboxd, and currently based out of Newark, Delaware. For every new movie they watch, they're adding five more to their neverending Letterboxd watchlist.
