Returning to the Sundance Film Festival for the third consecutive year, Lynn Shelton has risen in the ranks since her debut Humpday, attracting major names for ...
As of late, there seems to be no sub-genre more worn out in Hollywood than that of the vampire. Thankfully, a pair of New Zealand's finest comedic talents are h...
Far removed from his cold, clean serial killer character in Dexter, Michael C. Hall's first role following the series' conclusion finds him as a family man put ...
Anton Corbijn's The American is a restrained, absorbing and visually staggering story of an assassin on his final mission, but the marketing sold it as star-pow...
With Saturday Night Live serving as their initial platform, Kristen Wiig and Bill Hader have enjoyed substantial comedic careers in Hollywood, both behind and i...
Following his break-out performance in last year's restrained Sundance drama This is Martin Bonner, the talented Paul Eenhoorn has returned to the festival with...
The style of Terrence Malick has long since been a comparison point in many critical examinations, as of late hitting something of a fever pitch. While I rarely...
There's no definitive path on the unwieldy journey that is the creative process. We've seen countless films tackle various approaches in an attempt to find an a...
Survival is one of humanity's most basic instincts, driving one to unspeakable lengths to persevere in the harshest of conditions. Fishing Without Nets, one of ...
It seems as though Hollywood has a yearly quota for World War II dramas, ones that often present the heroic military efforts of the Allies, or others that zero ...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
