Today brings some good and some bad news when it comes to the next film from Alfonso Cuarón. First up, we'll deal with the latter: once imagined to be a fal...
Andrey Zvyagintsev's follow-up to his Oscar-nominated, Cannes-winning 2014 drama Leviathan is Loveless, co-written with creative partner Oleg Negin (also of...
When it comes to South Korean cinema, in recent years we've seen new entries hailing from the country making a mark at Cannes Film Festival, most notably Th...
With the genre of physical comedy sorely lacking in today's cinematic landscape, Dominique Abel and Fiona Gordon are helping to revive it with some style wi...
The involvement of Agnès Varda is all one genuinely needs to anticipate a project. But considering her new documentary is her first feature in nearly a deca...
Passing away at the age of 76 last summer, Abbas Kiarostami was one of our greatest directors. The Iranian filmmaker was able to extract the essence of the ...
After finding success on primetime television with Life in Pieces, Zoe Lister-Jones has now made her directorial debut with Band Aid, which premiered at Sun...
Amongst our most-anticipated of the Cannes line-up are the next two films from Hong Sang-soo, who brought one of the year's best films so far to Ber...
One of the best debuts of last year -- and one of the best films, period -- was Bi Gan's dreamlike odyssey Kaili Blues. Finally now available on Blu-ray, th...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
