Over half a century later, what new information can be gleaned from the nights of August 9 and 10, 1969? Tom O'Neill and Dan Piepenbring’s riveting (if convolu...
If a James Bond or Mission: Impossible film excised all its action scenes––save a stray explosion or gunshot––while employing a script with a pop John le C...
Six years since his last solo directing feature, Her Smell, Alex Ross Perry returned to the world of rock in a very different way with Pavements. A tribute to ...
After making a splash with his uncompromising incest drama Saint-Narcisse, underground Canadian filmmaker Bruce LaBruce returned to Berlinale last year with Th...
Named one of the 10 best films of Cahiers du Cinéma back in 2023, Rabah Ameur-Zaïmeche's crime thriller The Temple Woods Gang is finally getting a proper U.S. ...
Three decades on from Brian De Palma’s gleefully unhinged psychological thriller Raising Cain, John Lithgow has once again found a cinematic role to showcase h...
After decades of celebrated performances in Italian cinema and television, Paola Cortellesi made her directorial debut with There's Still Tomorrow, a 1940s-set...
After the relatively barren month of February and the awards season mercifully in the rearview, March finally brings the goods. From some of our favorite festi...
After getting her start in collaborations with Derek Jarman, Sally Potter, and Joanna Hogg––and before she would breakthrough in films by Danny Boyle, Cameron ...
One of the pleasures of the Museum of Modern Art's Luis Buñuel retrospective last year was my first-time viewing of Él, a wonderfully entertaining tale of obse...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
