On the heels of last year's epic Killers of the Flower Moon, Martin Scorsese has now added yet another project to his upcoming slate, one which will begin prod...
Following up Wendell & Wild, animation wizard Henry Selick is planning to return to the world of Neil Gaiman with an adaptation of The Ocean at the End of ...
Premiering in the Un Certain Regard section at last year's Cannes Film Festival, Wei Shujun's stylish neo-noir Only the River Flows became one of the highest-g...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
After a relatively public first wave of production for Paul Thomas Anderson's next feature across California, things have recently been kicking back up after a...
It's quite the year for Ocean's reunions. Following the trailer for Wolfs, with George Clooney and Brad Pitt, now Matt Damon and Casey Affleck are back togethe...
In what feels like unprecedented territory, Eduardo Williams has followed his 2016 breakout experimental film The Human Surge––not with a sequel, but thre...
A seemingly blissful union rapidly crumbles in Valérie Donzelli’s Just the Two of Us, a domestic abuse-drama presented as a harrowing-if-simplified psychologic...
Breaking through the rare echelon of not just solid family entertainment but actually among some of the best films of their respective years, the Paddington fr...
There’s an argument to be made that the single image which best exemplifies pure cinematic wonder is the Archers logo. The introductory title reel belonged to ...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
