Following his tender, formally precise indie dramas Columbus and After Yang, video-essayist-turned-filmmaker Kogonada is stepping up to the big leagues with hi...
Though the summer movie season got off to a stronger start than last year, June is a bit lacking for promising tentpoles. Yet looking deeper, there's plenty to...
Legendary French actress Jeanne Balibar teamed with Maxime Rappaz for his directorial debut Let Me Go, a drama about self-discovery set in the Swiss Alps, whic...
One of the loveliest titles I saw at last year's New York Film Festival was Pierre Creton (A Prince) and Vincent Barré's tranquil, rejuvenating new documentary...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
After crafting a promising debut with The Sharks, a Best Director winner at Sundance in 2019, Uruguayan filmmaker Lucía Garibaldi is back with her second featu...
While he stays prolific on the directing side with this year's After the Hunt, after last year's double offering of Challengers and Queer, Luca Guadagnino is a...
Far removed from the mournful yearnings of A Quiet Passion––much less the quotidian, calming rhythms of Paterson––Simón Mesa Soto’s Medellín-set second feature...
Juliette Binoche's Cannes jury has unveiled their winners for this year's edition, awarding the Palme d'Or to Jafar Panahi's It Was Just an Accident, marking N...
After spending much of the last decade directing television, Timecrimes director Nacho Vigalando returned to the festival circuit last year with his first feat...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
