With many annual awards ceremonies, even those that brand themselves celebrators of indie filmmaking, seemingly highlighting films that don't necessarily need ...
For his first feature of two features this year, Hongsangsoo made a long-awaited reunion with Isabelle Huppert. Following In Another Country and Claire's Camer...
Now that almost all of the year's documentaries have premiered, it's clear that there will be none more essential than Basel Adra, Hamdan Ballal, Yuval Abraham...
Premiering at Cannes Film Festival in the Un Certain Regard section earlier this year to much acclaim, Sandhya Suri's narrative directorial debut was recently ...
As one can tell from our feature wrapping up the best premieres on the fall circuit, no film has earned more discussion these last few months than Brady Corbet...
Although his illustrious career has been ongoing for decades, this year marks quite a major milestone for Pedro Almodóvar. He premiered his very first English-...
Bringing a pristine level of craft with their portraits of subcultures in The Last Race and The Truffle Hunters, Gregory Kershaw and Michael Dweck turned their...
Following their singular take on the Western genre with Two Plains and a Fancy, filmmakers Lev Kalman & Whitney Horn returned to the festival circuit earli...
Following up their fascinating 2019 feature Space Dogs, which explored street dogs in Russia while telling a larger story about the first living being to be se...
After many years of radio silence on Elaine May's Crackpot, a comedy starring Dakota Johnson that was planned to be the 92-year-old filmmaker's fifth and final...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
