John Fink

[Review] The Guilt Trip

Perhaps the best advice on marriage is that you shouldn’t marry someone whom you can’t spend three days next to on a train. But as The Guilt Trip highlights, yo...

[Review] The Collection

The Collection is a rare horror film that touches a nerve, although perhaps I was in a receptive mood. Indulge me for a moment: the film is a fetishization, eve...

[Review] My Own Worst Nightmare

My Own Worst Nightmare is a distinctively French farce with Isabelle Huppert as Agathe, an executive director of an art gallery and a model member of the bourge...

[Review] Fun Size

Fun size candy is always a disappointment -- much like the movie of the same name, also misleading in suggesting it's both “fun” and a critique of “Halloween," ...

[Austin Review] Elemental

An intense focus on globalization connects three strands at the core of the Elemental. although the broader theme is we are all connected by virtue of starting ...

[Review] Paranormal Activity 4

Allow me to evoke the great Tom Petty once more: the waiting is the hardest part. The Paranormal Activity “brand”--  because at this point they aren’t movies, s...

[Review] Taken 2

Opening next week, Seven Psychopaths contains a scene that sums up the MacGuffin driving Taken 2 – Sam Rockwell ponders the a validity of “an eye for an eye," c...
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[TIFF Review] First Comes Love

Perhaps all of the films are starting to run together. Nina Davenport’s often hilarious and extraordinarily brave First Comes Love finishes a trilogy of very ho...

[TIFF Review] Janeane from Des Moines

It’s so easy to take cheap shots at the Tea Party; in fact what Bill Maher can do in a joke or a monologue, Janeane from Des Moines spends 77 minutes doing with...

John Fink

John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.