John Fink

[TIFF Review] Greetings from Tim Buckley

Dan Algrant’s Greetings from Tim Buckley simultaneously tracks the artistic development of musician father and son Tim and Jeff Buckley at around the same times...

[TIFF Review] Ship of Theseus

The opening title explains that the Ship of Theseus was replaced, piece by piece, and rebuilt into a new ship – therefore the questions is asked: which ship is ...

[TIFF Review] Seven Psychopaths

It takes a deranged mind to be this fascinated with psychopaths, let alone seven of them. Colin Farrell’s Marty gets to quite literally take his work home with ...

[Review] 2016: Obama’s America

I’m not sure what to make of the core argument of 2016: Obama’s America, a film with exotic locations and a logic that seems to fall apart as it hurls towards i...

[Review] The Expendables 2

Sylvester Stallone is a senior citizen. And he’s not too old for this shit. The Expendables 2 is a glorious summer guilty pleasure – unapologetically badass, it...

[Review] Diary of a Wimpy Kid: Dog Days

Diary of a Wimpy Kid appeals to me much in the same way that watching a rerun of Full House on ABC Family does. It’s become comfort food. Luckily, the three fil...

[Review] Step Up Revolution

Dance movies, not unlike pornography, deliver exactly what they promise, sometimes dressed up with a “plot.” Step Up Revolution delivers both a plot (a lame lov...

[Review] The Watch

I suppose you can describe The Watch (formerly Neighborhood Watch) as high concept, and perhaps high might be the state one would be in to enjoy it. Here we hav...

John Fink

John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.