Richard Pryor: Omit the Logic is a mostly fitting documentary for a comic genius. With a mix of hilarious clips and interviews, it’s lively and fun without reac...
Adult World is a likeable, boarding on loveable, comedy staring Emma Roberts as Amy, a recent college graduate with a degree in poetry. Not exactly a lucrative ...
A bleak work edging towards neo-realism, Sunlight Jr. takes place in a welfare state: a trailer park outside of Tampa. There aren’t full on revaluations about t...
A Case of You is a dumb romantic comedy -- not without a few laughs, but it's certainly missing many brain cells. Sam (Justin Long) writes novelizations of popu...
Matt Wolf’s Teenage is an awfully bland telling of an interesting story. Combining media, including archival materials with some newly shot footage, it traces t...
Reaching for the Moon is a lush, erotic and mature drama chronicling several years (we're uncertain how long, but it's temporal disorientation is intentional) i...
Clark Gregg’s Trust Me is an often hilarious dark comedy, evolving into satire, veering towards drama and then continuing back to where it began. Where it goes ...
Here’s a film that will never be viewed in D.A.R.E. class. How to Make Money Selling Drugs takes the form of an infomercial, probing into the seemingly endless ...
Steph Green’s Run & Jump is a film that will grow on you, slowly and subtly absorbing you into its world. With an observant structure, we are the third whee...
John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.
