Reaching for the Moon is a lush, erotic and mature drama chronicling several years (we're uncertain how long, but it's temporal disorientation is intentional) i...
Clark Gregg’s Trust Me is an often hilarious dark comedy, evolving into satire, veering towards drama and then continuing back to where it began. Where it goes ...
Here’s a film that will never be viewed in D.A.R.E. class. How to Make Money Selling Drugs takes the form of an infomercial, probing into the seemingly endless ...
Steph Green’s Run & Jump is a film that will grow on you, slowly and subtly absorbing you into its world. With an observant structure, we are the third whee...
Oh, the internet. I wonder if you really have lead to a decrease in my productivity: on one hand, it’s full of almost everything, including cute cats. Then ther...
The Tribeca Film Festival continues its legacy of programming work about experimental film with Big Joy: The Adventures of James Broughton, an insightful docume...
Lenny Cooke is to basketball as Anvil is to rock-n-roll, and like Anvil, he now has a documentary. A departure for filmmakers Ben and Joshua Safdie who’s previo...
Frankenstein’s Army is a B-movie in every sense of the word. Not without laughs, moments of blood, gore and primitive surgery as its name suggests, the film unf...
A few years ago a professor of mine once cautioned that when times get tough, young people are more likely to sell their soul for cash, allowing themselves to b...
John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.
