More snarky than academic, Jamie Kastner’s Secret Disco Revolution begins with the thesis that disco was an underground movement orchestrated by the shadowy pow...
Even by today’s standards, The Morton Downey Jr. Show was extreme; described as a talk show with a hockey crowd, his show has been viewed as a predecessor for c...
Fresh Meat takes several “-isms" and throws them into a hilarious blender. The film works as an uncompromisingly dark horror comedy with director Danny Mulheron...
1st Night is a classy screwball comedy, so gorgeously lensed and very British, we almost forget just how silly the material might be had the same premise been a...
I don’t know any birders in real life, but on the whole, they sure do seem like nice folks. After the delightful, yet little seen, The Big Year and the even mor...
Kanpur, India is known as the Manchester of the East; an industrial town in the North, it's grappling with the realities of globalization, embodying the fundame...
We never put a name to the face, as names are not required. It is brave of the residents of Oceana, West Virginia, the epicenter of OxyContin addiction to engag...
Almost Christmas, the long-awaited second feature film Phil Morrison (Junebug) is an unexpected buddy comedy. Just released from a four years in Quebec jail, an...
Inspired by a true story, director and co-writer Mo Ogrodnik finds perhaps the least interesting way to tell what might have been a compelling narrative. I’m in...
John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.