Somewhat likable if too silly for its own good, Puerto Ricans in Paris is the kind of film that might one day find itself adapted into a sitcom. Directed by Ian...
There’s a certain kind of charm that comes from the kind of potentially mob-affiliated working class that you find in pockets of neighborhoods at the heart of t...
Breathing life into a tired genre (coming of age and/or coming out in the American suburbs), Clay Liford’s Slash is an authentic portrait of a young man explori...
Albert Lamorisse, the talented maker of fantasy short films and the board game Risk (here the game is rebranded as The Arbalest) influences a young Foster Kalt,...
Employing an outsider to disarm subjects deep in Bubba Texas, Booger Red turns to writer/director/actor/provocateur Onur Tukel as its conduit into this world, a...
With a gentle humor in the light of the pain it explores, Julio Medem’s Ma Ma keeps it lens squarely focused on Penélope Cruz’s Magda, a young mother diagnosed ...
There are indie film scenes like the one chronicled in Actor Martinez everywhere, ones where those with a day job have ambitions that cannot and never will pay ...
I have no doubt that one day gifted visual storyteller Ed Gass-Donnelly will make a brilliant work. With four features under his belt, including This Beautiful ...
John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.
