It's difficult to truly capture a controversial subject in film. For a figure such as Winnie Madikizela Mandela, it may be impossible unless you ensure her pers...
The most pointed question asked by Rahul Jain's documentary Machines comes from the camera. By showing us the gigantic textile spools, looms, and washers with o...
There's just one thing missing from Zhao Liang's visually masterful documentary Behemoth: a before image of what this wasteland of coal and rock used to be befo...
Playwright, author, screenwriter, and director Helene Hegemann has said (through her publisher) that, "There’s no such thing as originality anyway, just authent...
I love Banksy's work most because of how it comments on the commodification of art. Here's a world-renowned master who refuses to authenticate anything he's don...
A horror movie slated to open in October means buzz and solid expectations. It used to be you rarely saw the genre at any other time — back before studios disco...
Dare I say 2016 feels like a throwback to the stellar work of great auteurs doing their thing in the '70s without fear of never working in the industry again? ...
I've been lucky to have never used painkillers whether as a result of high pain tolerance or simply not having experienced enough to deem it necessary. I know p...
You have to admire Darren Lynn Bousman's ambition because he could have just kept going with the Saw franchise after taking over the reins from James Wan. Inste...
