The title of Lina Rodriguez's documentary Mis dos voces says it all. Her three subjects (as well as her) are Latin American immigrants living in Canada with s...
Considering the Wikipedia page for Sable Island states a population of zero (minus the six-to-twenty-five rotating personnel team from the Meteorological Servi...
I made the mistake of worrying about plot while watching Natalia López's feature directorial debut Robe of Gems. The synopsis dares you to worry with its talk ...
It's not often a web comic gets optioned into a film produced by a superstar singer for a Hollywood studio, but that's what happened to Bobby Crosby's 2012 wor...
The camera never leaves young Nora (Maya Vanderbeque) throughout the entirety of Playground. Writer-director Laura Wandel needs us to follow her closely and un...
A couple of studios rightfully got nervous about the increased COVID numbers over the holidays and moved their marquee titles away from the wintry mont...
It would be a mistake to take the synopsis for Abed Abest's Killing the Eunuch Khan at face value. This is not a film about a serial killer in the generic sens...
Director Frauke Havemann's story about traveling into the woods with her dramaturg to discuss a new project at the onset of COVID-19 feels crucial to understan...
Writer-director Aly Muritiba said something very interesting about his new film Private Desert in the lead-up to its Venice debut. He spoke about a desire for ...
Enacted during Prohibition—and the Harlem Renaissance—the New York City Cabaret Law made it so any public establishment that served food and/or drink needed a ...
