I don't want to label 2014 as a good, bad, or average year. I want to call it inventive, original, and delightfully dark. Whether it's doppelgänger paradoxes ...
I usually find myself needing to whittle down a list of around twenty posters to the fifteen showcased below. For 2014, however, my list was at forty-five. Now that's what I would call a good year. Seeing how many came from the big boys like Ignition and BLT Communications, LLC like 2013 only makes it sweeter because they're taking note of the little guys and their more risqué creativity to compete on the aesthetic front regardless of deeper pockets and name recognition providing unfair advantages....
The involvement of Disney on any adaptation of beloved source material can't help being a double-edged sword. On the one hand their clout and financial backing ...
I wonder if James Franco showed his NYU class Terrence Malick's The Tree of Life because it appears the twelve students he handpicked to write and direct what b...
“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuse...
When thinking about the Israeli army, images of badass Mossad agents covertly wreaking havoc across the world crop up. It's a hyperbolic generalization, but tha...
Directors Tony Mahony and Angus Sampson's The Mule is not at all what one might expect. The marketing materials draw it up as a B-movie romp, something the invo...
She is not kidding when she says: "To those who feel that their cruelty is too cruel, their sadness too sad, I dedicate this film: an embrace." Writer/director ...
Not even the movie that started it all can save the fledgling career of the Farrelly brothers. Despite reading an interview of them speaking about how great the...
The feature debut of writer/director Rita Merson is mired in convention. Think to yourself about five cinematic tropes that could be found in a romantic dramedy...
