[Berlin Review] Taxi
The first image of Jafar Panahi’s Taxi, a POV shot looking out through a car’s windshield, immediately calls to mind the opening of his previous film, Closed Cu...
Giovanni Marchini Camia
[Berlin Review] Queen of the Desert
From his very first feature, 1968’s Signs of Life, Werner Herzog has demonstrated a predilection for stories revolving around exceptionally zealous and uncompro...
[Berlin Review] Nobody Wants the Night
Film festivals sometimes treasure specific directors for reasons that remain unfathomable to external observers. The Berlinale’s continued advocacy of Isabel Co...
