Dan Mecca

[Tribeca Review] Folk Hero & Funny Guy

The bond of male friendship is examined - and tested - in Folk Hero & Funny Guy, a short and sweet dramedy from multi-hyphenate Jeff Grace, who writes and d...

[Review] Get a Job

Directed by Dylan Kidd, Get A Job stars Miles Teller as Will, the Millennial From Hell. Fresh out of college, our hero (?) expects everything to work for him li...

[Review] How To Be Single

From start to finish, Christian Ditter's How To Be Single struggles to be both a forward-thinking comedy about women dating in the modern world and a reliably g...

[Sundance Review] The Eyes of My Mother

Here is where I go off-book for my final Sundance review. The film is Nicolas Pesce's frightening The Eyes of My Mother, and I am not its target audience. This ...

[Sundance Review] Ali and Nino

There is nary a film genre more tried and true than the war-time romance. From Casablanca to Doctor Zhivago to The English Patient, the structure allows for a m...

[Sundance Review] The Hollars

The premise is worryingly familiar. A handsome young man named John Hollar (John Krasinski), currently in a rut, is told by his pregnant girlfriend Becca (Anna ...

[Sundance Review] Complete Unknown

Armed with two top-notch leads and a compelling premise, Joshua Marston's third feature, Complete Unknown, spends a lot of time hinting at which direction it wi...

Dan Mecca

Managing Editor

Dan Mecca is the co-founder and managing editor of The Film Stage. He is a producer and filmmaker living in Pittsburgh. He watches a lot of movies and tracks them on Letterboxd.