The films of Mark Jenkin ooze a hypnotic, seasick sensibility; to watch them is to be lulled by their restless jumps through time and space, their ability ...
Hank Thompson (Austin Butler) was born and bred San Francisco Giants baseball. Named after one of the most significant Giants in major league history––back whe...
About an hour into This is Not a Drill, the new documentary from director Oren Jacoby, comes a moment that is stark and unsettling. Sitting next to her daughte...
What opens Werner Herzog’s Ghost Elephants, even before we hear the German filmmaker’s distinctive cadence, is the National Geographic logo. While production c...
Traveling in a foreign land can be disorienting. Established routines lose their meaning. Unfamiliar sights, sounds, smells may trigger old memories or bra...
Six years since The Dead Don't Die (long enough for that film to now be underrated), Jim Jarmusch is back with Father Mother Sister Brother, which finds him re...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
It's our pleasure to spotlight a true indie production today. Shot on a shoestring budget of around $5,000 during a 10-day road trip to Deadhorse, Alaska, Jaco...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Museum of Modern ArtA series on New Orleans before, during, and after Hurricane Katrina inc...
Six years since his last narrative feature Bacurau (we might call 2023's Pictures of Ghosts a notable interlude) Kleber Mendonça Filho made a splashy return wi...
