The same month Roger Ross Williams premieres his new documentary Stamped from the Beginning at TIFF, his first feature of the year will arrive across the world...
Few American filmmakers of the last 40 years await a major rediscovery like Hal Hartley, whose traces in modern movies are either too-minor or entirely unknown...
Over the past six years Quentin Dupieux has been working at Hong Sangsoo’s speed, churning out a film every few months. The streak kicked off in 2018 with the ...
Following Main Slate and Spotlight, the 61st New York Film Festival has unveiled its Revivals lineup, featuring new restorations of classic and overlooked film...
One of the most intriguing, well-accomplished debuts I saw back at New Directors/New Films in 2018 was Yui Kiyohara's mysterious drama Our House. The Japanese ...
Welcome to The B-Side, from The Film Stage. Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that the...
It was only last week I was reviewing a new take on the Dracula myth, The Last Voyage of the Demeter. Deeper into both the dog days of August and the realms of...
The Indonesians have a concept called nongkrong. To nongkrong is to meet and talk, preferably in large groups, and about nothing in particular. I first came ac...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy CinemaBecause the people of New York can't get enough, the 35mm print of Rio Bravo we ...
