At 130 minutes, Skin: A History of Nudity in the Movies has a clear trajectory. Well, make that a clear enough trajectory. Dipping its toes into present-day be...
The Venice Film Festival will kick off early next month entirely in person and among our most-anticipated premieres is coming from a new voice in filmmaking ba...
"I don't want to be introduced, because I don't want this to seem like a formal occasion." So begins a conversation in February 1983 at the Cinémathèque frança...
Following a premiere at this year's Sundance, Justin Simien’s long-awaited follow-up to Dear White People is arriving this October on Hulu. Bad Hair is a horro...
On its most superficial horror flick level, Jay Baruchel's latest directorial effort Random Acts of Violence works. Co-adapted with Jesse Chabot from Justin Gr...
It's been eight months since I've seen Garrett Bradley's poetic masterpiece Time at its Sundance Film Festival premiere, still reeling from its intense emotion...
The relationship between therapist and patient is always ripe for good storytelling. Justine Triet’s third feature aims to do just that, with a little bit of d...
One of the most successful genres in this strange year has been horror. The Invisible Man, Relic, The Lodge, She Dies Tomorrow, Amulet, The Rental, and La Llor...
After carving out an impressive, varied career in front of the camera (as well as a wealth of other artistic endeavors), Viggo Mortensen recently embarked on h...
There was recently a Twitter thread going around asking which director has never made a bad film. Among my picks was Claire Denis, and one of the highlights in...
