Though there exists evidence (read: four feature films) that Jafar Panahi's 20-year filmmaking ban has largely turned symbolic, every work nevertheless feel...
I do like Gaspar Noé. I like the swirl of colors and violence and Thomas Bangalter (consensual) sex. I like the stupidity. I like the malevolence. I like wh...
Jean-Luc Godard's The Image Book has been birthed, and even our sharpest critics will need time to let it percolate. This is a sort of inevitability that go...
So, what to make of this Le Livre d’Image? Hmm. Speaking at the ISM in Berlin recently, Brian Eno (that granddaddy of sonic soups) pondered why we sometimes get...
It has been nearly seven -- seven -- years in the making. While The Tree of Life's theatrical release was expanding, rumor emerged that Terrence Malick had ...
Had it even been completed, The Irishman's deadly Netflix association would've precluded a screening. But the scarlet (or whatever shade of red they're runn...
We can assume that Christophe Honoré’s 10th big-screen feature as director might trigger some viewers’ short-term memories -- and perhaps apprehension, too. Con...
The Cageaissance may be upon us. After earning his best reviews in years with Sundance's Mandy, Nicolas Cage will help Sion Sono make an English-language de...
It's been a week of grief and mourning for Helen (Lyndsy Fonseca) after finding her husband Wells (Noah Bean) dead by suicide at their secluded cabin. She's dea...
