Hannah is Charlotte Rampling’s face. There are barely any other actors to speak of in this film, and the camera often purposefully excises their faces from its ...
The great millstone around Justice League's neck is the uneven quality of the films that have preceded it, but it's also the thing working in its favor. Here we...
Studies in subtraction. Milla traces the arc of life solely through the in-betweens. Major upheavals occur, and we see both where they come from and their fallo...
By Jordan Ruimy
Based on the popular book by R. J. Palacio, Stephen Chbosky's Wonder is a sweet, delicate, self-aware adaptation that remarkably sidesteps most...
The opening transition from credits to film of Petra Biondina Volpe's Tribeca Film Festival Audience Award-winning The Divine Order is absolute perfection. With...
With his nimble means of production resulting in some of the most formally profound, emotionally introspective films of this century thus far, South Korea's eve...
Having worked with Olivier Assayas, David Fincher, Kelly Reichardt, Ang Lee, and more, Kristen Stewart has certainly seen a fair amount of talented director...
Christmas just got a little warmer and fuzzier. Michael Haneke's newest film, Happy End, will arrive just in time for a holiday family outing, if you're in ...
Coming to Telluride Film Festival and Toronto International Film Festival without distribution, Hostiles finds Scott Cooper re-teaming with his Out of the F...
By Jordan Ruimy
Sherlock Holmes was successfully given the cinematic and television treatment this last century, both of which been met with hardcore following...
