Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Hot on the heels of the studio comedy hit Bad Moms comes Fun Mom Dinner, an indie-fied, but no less broad version of mom's night out from director Alethea Jones...
To think that for a single 30-second Super Bowl spot, a company could fund the next Moonlight (made for around $5 million), it makes it a bit more d...
Boy meets girl. Boy falls in love with girl. Oh, but did I mention that boy lives on another planet? So is the premise that carries The Space Between Us, and it...
This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats....
As a film student, I, like many before me, found myself caught under the mesmerizing spell of Russian auteur Andrei Tarkovsky soon after I watched the openi...
It's difficult to truly capture a controversial subject in film. For a figure such as Winnie Madikizela Mandela, it may be impossible unless you ensure her pers...
The most pointed question asked by Rahul Jain's documentary Machines comes from the camera. By showing us the gigantic textile spools, looms, and washers with o...
Over two decades after the Oklahoma City Bombing, director Barak Goodman explores the evolution of the hateful, terrorist act in his documentary, aptly titled O...
